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filler@godaddy.com
Signed in as:
filler@godaddy.com
I am a professional Script Supervisor who works in both the short and feature-length spaces, which means I supervise continuity on a film set. I support the director's vision by ensuring that all actors, props, wardobe, and equipment are set for each scene. Take a look at my short message below or my resume.
In film, continuity is the notion that a sequence of shots all need to feel as unified and fluid as if they were a single shot and audiences should feel as though nothing has changed in terms of time and space. But, believe it or not, there’s more to the job because this art form is collaborative and, in the end, the only thing that matters is what was shot. I am the eyes and ears of the editor. My job is, literally, to pay attention and ensure coverage is complete.
I am in the thick of every shot, noting everything and ensuring it all looks good enough to PRINT. There is, by far, no other role on set which affords the luxury of seeing the process unravel with such intimacy. It is an honor to be given the opportunity to survey not only a director’s every move and all they say to their department heads, but to take down the different notes he gives to actors before calling ACTION and, more importantly, after we CUT.
Eventually, these things have to get back to the editor, or editor’s assistant if the production relies on dailies.
I have worked as Script Supervisor, on both short and feature length films, since 2018. A team player with a positive attitude, I find working with all types of directors to be the most rewarding aspect of my job. I see each Continuity project as a focused exercise to explore a director’s style and I quickly adapt according to the specific needs each presents.
LET MY REFERENCES SPEAK ON MY BEHALF:
JEAN SHIM (Director, A Great Divide)
PAUL PISSARRO (Director, Pollyanna; Revell App Commercial; Talk Is Cheap)
ERIKA HOULE (Dir of Photography, Ideologies & The Promise / UPM, Going Out For Ice Cream)
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