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Continuity Supervisor aka Script Supervisor
The Least Talked About Role on a film set
I am a professional Script Supervisor who works in both the short and feature-length spaces, which means I supervise continuity on a film set. I support the director's vision by ensuring that all actors, props, wardobe, and equipment are set for each scene. Take a look at my short message below or my resume.
Why am I a Script Supervisor?
Best View On Any Set
As a film production‘s Script Supervisor, I am in the thick of every setup with a clear view of what is being filmed. I stand as close to the camera as I can get without getting in anyone’s way to get the best view of what is being filmed, notating character movements; costume, prop and set details; ensuring all lines are read and that everything looks good enough to PRINT. There is, by far, no other role on set which affords the luxury of seeing the process unravel with such intimacy. It is an honor to be given the opportunity to survey not only a director’s every move and all they say to their department heads, but to take down the different notes she gives to actors before calling ACTION and, more importantly, after we CUT.
Eventually, these things have to get back to the editor, or editor’s assistant if the production relies on dailies.
WHY CHOOSE ME FOR YOUR PRODUCTION?
I have worked as Script Supervisor, on both short and feature length films, since 2018. A team player with a positive attitude, I find working with all types of directors to be the most rewarding aspect of my job. I see each Continuity project as a focused exercise to explore a director’s style and I quickly adapt according to the specific needs each presents.
Your Next Script Supervisor, Alexandro Pacheco
- I understand a PRODUCTION SET and feel most at home surrounded by creators working towards a singular goal. As a second career, production work in the film industry has been a wonderful adventure.
- PRODUCERS tell me I have a fun personality yet always keep my head in the game. I keep copious notes to answer questions that arise on the fly.
- EDITORS appreciate prompt and detailed reports at the end of every day.
- I am dedicated to the craft and work well with INNOVATIVE DIRECTORS. I get called back for their next projects because I collaborate well, deliver on time and always place the art ahead of all else while in production.
LET MY REFERENCES SPEAK ON MY BEHALF:
JEAN SHIM (Director, A Great Divide)
PAUL PISSARRO (Director, Pollyanna; Revell App Commercial; Talk Is Cheap)
ERIKA HOULE (Dir of Photography, Ideologies & The Promise / UPM, Going Out For Ice Cream)
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